At Rome’s Palazzo Bonaparte, two powerful exhibitions brought together the contrasting yet complementary visions of photographer Elliott Erwitt and Superrealist sculptor Carole Feuerman. From Erwitt’s witty, humanistic moments frozen in black and white to Feuerman’s provocative, hyperreal sculptures of the female form, the pairing created a compelling dialogue about humanity, authenticity, and how art captures—and preserves—truth across time.
